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CLIPPINGS from Evansville Courier & Press ![]() Rusty Bladen Homegrown rock 'n' roll Bladen blends classics, humor and originality By Byron Rohrig,
Music Editor The opening chords of "Summertime Blues" sound, and Bladen emerges from behind a large black, logo-emblazoned backdrop, grinning and pounding a foot on the stage as he and his acoustic guitar blaze through a version more reminiscent of The Who than Eddie Cochran. His solo engagements are all-acoustic, but his Web site says they're "almost as loud" as shows by Rusty Bladen and The Shakin' Jakes, a group including drummer Dane Clark and bassist John E. Gee from John Mellencamp's band. "Let's get this party goin'!" he yells over the Duck audience's applause, turning a quick, slick transition to an original, "I Can Drink Any Woman Pretty." The title is transparent. Audience members listen and laugh about the transforming power of beer. Rapid-fire, Bladen will cover an artist's range from Jim Stafford to Joni Mitchell, Rolling Stones to Elton John, with ample Neil Young, Mellencamp and Eagles alongside originals including "Up a Crick," "Smoke Like a Train" and "The Karaoke King of Crawfish County." He kicks off his final set with The Who's "Squeeze Box," then introduces a song he wrote in an Interstate 65 traffic jam en route to a private party in Indianapolis. It was a bash put on by two single guys celebrating giving up their high-paying jobs in some high-rise to start a lawn care service. "Baby, Let Me Mow Your Grass," a delightful piece of songwriting mischief, hadn't a thing to do with grass-mowing. Bladen's big onstage logo shows an acoustic guitar emerging from tall corn with the caption "Homegrown Rock 'n' Roll." Here's how homegrown: The logo idea was sketched by Bladen on a napkin, perfected by an artist friend in Cincinnati and painted on the backdrop by his brother, Rick, also tour and stage manager. Hometown boy Joey Ernst keeps www.rustybladen.com up-to-date. Cousin Michael Barton rides herd on T-shirts, CDs and other Rusty merchandise and doubles as road manager for Bladen's gig this night (there are two more coming up, on Wednesday and Friday, both at the Duck Inn). And that doesn't begin to take into account Bladen's music. "I've not given into any certain fads or any certain styles that might be popular at the time," he said. "Instead, I've stuck with what I started with, which is just basic, homegrown rock 'n' roll - just believing in yourself and sticking with it, not jumping on the bandwagon and going with the flavor of the month." That, "and the fact that I'm in this for the long haul," set him apart from most acts that tour the region. Bladen turned off down the road he's now traveled for a decade after passing in and out of several cover-tune bands: "When I announced that I wanted to write and do original stuff, the band wasn't interested - they had wives, jobs, kids; they didn't have time. I had to quit and start out on my own." He researched, got connected with some studio musicians and cut his first CD in 1993. "I'll tell you what, it's been pretty much steady progress since then: better gigs, better money, more of a following. That's not easy without a major record label backing you." Nor is it easy to do from Madison ("It's where I want to be if the world ends, because everything's 10 years behind"), on the Ohio about 45 miles upriver from Louisville, Ky., known for historic pre-servation but not as a musical mecca. "You've got to be persistent about calling people to play," he said. And though there's a club in Madison where Bladen plays regularly, there are almost no weekends without at least one road trip. More often there are two, sometimes three. He still hits small towns all over Southern Indiana (Jasper is a regular stop), but gigs at clubs in Cincinnati, Indianapolis and Louisville are common. He's picking up more campus shows, too. And this fall, he'scontinues
his House Party Tour: "How cool would it be to
have Rusty Bladen perform a concert in your living room? Or on your deck?
Or in the basement of your best friend's house?" a Web site promo
entices. It's a lot of travel, but Bladen's not complaining. "I
like it. When I was growing up, I never got out of town. My parents
never went
anywhere." Actually, he'd like to travel a little farther. In fact, he wrote a song about it: "The Lucky One." He performed it recently on a live radio appearance. "But after a few days of dirty diapers, I'm ready to rock 'n' roll," Bladen smiles. The work is relentless. Bladen's River Road Records recently released a 10-year commemorative of his debut CD, "Are You Happy Now?" He has recorded three others, including one recorded live on a previous house-party tour. A new release is scheduled for next year. Then there's rehearsing, performing and overseeing new features on his seemingly never out-of-date Web site, which before midweek posts photographs of people attending the previous weekend's gigs. Bladen is excited about the response to two new photographic features - of fans' tattoos and bellybuttons. "You heard the one about the kid who told his mom he wanted to be a musician when he grew up?" Bladen asks. "Well, the kid's mom answered him, 'Son, you can't do both.'" |